Review: Lena Dunham high-fives ‘Clueless’ with easy, breezy ‘Catherine Called Birdy’

A young man and a teenage girl in 13th century dress wield swords in the movie "Catherine Called Birdy."
Joe Alwyn and Bella Ramsey within the film “Catherine Known as Birdy.”
(Alex Bailey / Prime Video)

Lena Dunham’s heat, energetic adaptation of Karen Cushman’s 1994 historic novel, “Catherine, Known as Birdy,” opens with a needle drop that references one other traditional teen film. Misty Miller’s cowl of the ’90s Supergrass tune “Alright” performs as a younger Woman Catherine (referred to as Birdy), performed by Bella Ramsey of “Recreation of Thrones,” finds herself within the midst of a mud combat throughout a raucous cottage-raising in her medieval English village.

The music alternative (one of some nice ’90s covers that Miller performs all through the movie), is a high-five to Amy Heckerling’s 1995 movie, “Clueless,” and it inextricably hyperlinks the 2 movies collectively. One is an adaptation of a novel written within the ’90s, set in medieval occasions, the opposite is predicated on a Regency-era Jane Austen novel and set within the ’90s, however each movies are a couple of virgin who can’t drive. The reference is a stunning approach of reminding us, as “Catherine Known as Birdy” often does, that the problems plaguing girlhood are sometimes the identical, regardless of the period.

On your security

The Instances is dedicated to reviewing theatrical movie releases in the course of the COVID-19 pandemic. As a result of moviegoing carries dangers throughout this time, we remind readers to observe well being and security pointers as outlined by the CDC and native well being officers.

Dunham has referred to as adapting the guide a longtime ardour mission, and the care and love she has for the story and the characters — in each her writing and course — is palpable. Like “Clueless,” it's a movie that feels easy, energetic and dynamic; it's densely wordy, witty and sensible, and it calls for to be rewatched as many occasions as doable.

There's a fluid naturalism and power to the movie that begins on the web page and flows by the motion of the digicam and the physicality of the actors. Dunham has nailed the language and tone of this piece. The writing is sharp, clear, with a definite voice, nevertheless it’s by no means overly specific; it's fashionable and relatable, but totally medieval. Anachronistic songs would possibly soundtrack these occasions, however the trials, tribulations and inventive curses that Birdy goals up are all feudal England.

Birdy is navigating that difficult second when she’s not a woman, not but a lady. She stuffs her menstrual rags within the flooring of the outhouse to cover them, as a result of getting her interval is a high-stakes affair. It means her father, the fey and humorous Lord Rollo (Andrew Scott) can marry her off to the very best bidder to save lots of the manor’s funds. Birdy rebels in opposition to the spouse life in defiance but in addition in concern. Her mom, Woman Aislinn (Billie Piper), struggles to provide wholesome infants.

“Catherine Known as Birdy” is a chronicle of this distinct transitional time, as instructed by Birdy herself in a journal written for her brother Edward (Archie Renaux), a monk. As suitors come to name, Birdy makes an attempt to thwart the wedding plot as finest she will be able to with pranks and capers, counting on her finest pals, Perkin (Michael Woolfitt) and Aelis (Isis Hainsworth), whereas feuding along with her brother Robert (Dean-Charles Chapman) and sometimes pining after her hunky Uncle George (Joe Alwyn).

However whereas the plot grapples with the aim and performance of marriage, the story of “Catherine Known as Birdy” is one in all a deeply felt familial love and bond, expressed earnestly, and with good humor, by Ramsey, Piper, Chapman, Renaux and particularly Scott, who manages to make Rollo endearing in his entreaties to marry off his daughter. The casting is likely one of the distinctive elements of this movie: Lesley Sharp and Sophie Okonedo ship pleasant performances as two of the mentors who assist to form and information Birdy exterior of her household, whereas Paul Kaye from “Recreation of Thrones” makes for a wonderfully lascivious antagonist.

“Catherine Known as Birdy” is Dunham’s finest writing and directing work but; it’s a simple, breezy, emotional good time, and an instantaneous teen traditional, identical to its predecessor, “Clueless.” Along with her two glorious 2022 movies, together with “Sharp Stick,” it’s clear that, even in a post-“Ladies” world, Dunham won't ever be carried out inspecting the interior lives of ladies, in all their playful, pragmatic and poignant complexities.

Katie Walsh is a Tribune Information Service movie critic.

'Catherine Known as Birdy'

Rated: PG-13, for some suggestive materials and thematic components

Working time: 1 hour, 48 minutes

Taking part in: Alamo Drafthouse, downtown Los Angeles; Laemmle NoHo 7, North Hollywood; Century Huntington Seashore; streaming Oct. 7 on Prime Video

Post a Comment

Previous Post Next Post